There is an old joke we have all heard. An isolated island in the middle of an ocean. One stowaway, and he’s Jewish. He builds two synagogues. He is rescued and asked why he built two synagogues, as he is only one individual. He points to one and says “this is the one I go to”, and to the other and says “and this is the one I would never set foot in”.
I think of that tired, old joke when I think about the Trump [sic] [sick] Kennedy Center, and the determination of the President that he is going to close it for two years, and renovate it. When last year, Trump [sick] fired the director of the center and engineered the resignation of, and replacement of, most of the members of the board of directors that (in theory) govern the center, and when he made himself the chair of that board, I decided that I was not going to attend any performances at the center. I would go to performances at other venues in DC, to be sure, but the Trump [sic] [sick] Kennedy Center would now be “the one I would never set foot in”.
But now, he is going to tear it down sometime next summer. Once he does that, I ask you: what will be the performance center that I will be boycotting?
Now, why is he tearing it down? Well, we can come up with a number of reasons. Like Conan, Trump [sick] is a destroyer. Trump [sick] doesn’t like to see a building with Kennedy’s name on it. Trump [sick] likes monuments to himself. Trump [sick] is a builder. The center, as it stands, was losing both performers and audiences who, like me, decided to boycott it for the rest of his presidency, until it again could be placed in responsible hands.
But nevertheless, the announcement that it was going to be torn down caught everyone as a surprise. You say: wait a minute, Art, you just said it was going to be torn down. In fact, Trump [sick] said it was going to be renovated. Ha ha. You have to listen to his definition of renovation. He said he is going to use the existing steel girders, and save “some of the marble”. That is it. This building is going to be destroyed, and its replacement is going to make architect Edward Durell Stone turn over in his grave.
A digression: Edward Durell Stone was quite a prominent American architect. In DC, he also designed the headquarters of the National Geographic Society. NatGeo is also remodeling their campus now, but they are being careful not to demolish the 10 story Stone building, which will stay in place. Another of Stone’s projects (there were a lot of them, including MOMA in New York City) was the Paducah, Kentucky City Hall, which we visited this summer on our lunch stop in Paducah.
Of course, Trump’s [sick] authority to do any of this is questionable at best, just like his authority to take over and rename the Institute of Peace (the building designed by Moshe Safdie, by the way) for himself and kick everyone who worked there out of the building. Or his authority to tear down the east wing of the White House complex and build his gargantuan ballroom, or his plan to build at 25 story arch commemorating himself (and incidentally the 250th birthday of the country) blocking the view of Arlington Cemetery across the Potomac. Whether or not Trump [sick] has authority to do anything is apparently irrelevant. He is just going to do it because, like Hitler, Stalin and all the others, no one is able to, or willing to, stop him.
In addition to removing an extraordinary venue from public use (remember, the Kennedy Center has an opera house, a symphony hall, a major theater, smaller black box theaters, a film theater, restaurants, rehearsal space, gift shops, studio and classroom space, and more), it employs about 2000 people, who will lose their jobs, another attack on the area’s financial strength.
While the Kennedy Center does not have a resident theater company, it has been, since it opened, the home of both the Washington Opera and the National Symphony. In addition, as to the National Symphony, there is apparently a significant subsidy to the Symphony that comes from the Kennedy Center budget (I do not know the details of this; I just learned about it within the last few days.). The Opera has already at least temporarily relocated to George Washington University’s Lisner Auditorium, which holds about 1500, as compared the Kennedy Center’s 2300), but the Symphony was caught by surprise.
The Kennedy Center has stated that they will help the Symphony find a new home (I am sure they will be a big help) and that they will continue to support the Symphony financially through the “renovation” process. This seems to assume that Congress will continue to fund the Kennedy Center, at least to some extent, throughout the renovation process, and what steps will be needed to accomplish this are, to me, a mystery.
Trump [sick] has also stated that the cost of renovating the Kennedy Center will be about $200 million. I am certainly not an expert on pricing a rebuilt Kennedy Center, but I will note the following: Trump’s [sick] White House ballroom is now estimated to be a $400 million project, and I just learned when I looked at the National Geographic website, that its DC renovation project is costing $250 million, and the infamous Federal Reserve renovation is scheduled to cost (ready for this?) at least $2.5 billion. So, I doubt the $200 million tag, but note that Trump [sick] has said that this financing has already been arranged.
How has the $200 million been arranged? Seems to be a secret, but anything is possible with Trump [sick], where the process seems to be: “well, prospective government contractor, want a government contract? Then give me $200 million for the renovation of the Trump [sick] Center and, when you give the government your budget for the contract you want, just pad it by, say, about $200 million. And don’t worry about that. It won’t be a competitive contract. It will be sole sourced, and that $200 million will never be noticed.”
Poor USA. On its way to a better future. But now, as I have said before, it has hit a small trump in the road.







































