Let it be known that we have never gone into the Oscars so unprepared. Not that I care (after all, what has the Academy ever done for me?), but we have only seen one of the films that is up for Best Picture, and that one we had not seen until yesterday when we went to see The Secret Agent. Now, I know that that Nats are more likely to win the World Series than The Secret Agent win the Best Picture Award, and (since I don’t do much pre-viewing research), I expected to see a gritty and exciting spy thriller. Au contraire (as they say in Quebec).
One review that I read said that the film is not a film noir, but a film neo-noir. I looked up neo-noir. It refers to a dark, cynical film that is in color and has increased violence. I am not sure that I would call The Secret Agent dark or cynical (whatever that means in a film), so maybe it’s really, not neo-noir, but more like, say, post-neo-noir.
Wikipedia says that it has been nominated for 165 awards (at 40 different places) and won 77 of them (at 18). It received 4 awards at Cannes, 7 from the International Cinephile Society, and 6 from the Indiewire Critics Poll. And get this: it won 5 awards at the Havana Film Festival! Now, I didn’t even know there was a Havana Film Festival. I didn’t even know that Cubans were allowed to see movies! Or rather, I assumed that Cubans saw only old American movies. You know, the ones with American cars dated before 1959.
But it turns out that this is a rather prestigious festival that takes place every December and has been held every year since the Ayatollah took over Iran and daughter Michelle was born. It is exclusively for Latin American films, but there has been one American film that has one – 90 Miles in 2001.
Well, if anyone knows about noir, whether neo, post-neo, or just plain unadulterated noir, I guess it should be the Cubans.
Now, that’s all I am going to say about “noir” films. The other reference I saw said that the film contained “magic realism”. Okay, try to wrap your head around that one.
So, I looked it up. Magic realism is defined by Google AI as “a literary and artistic genre that weaves fantastical, supernatural, or mythical elements into an otherwise realistic, mundane setting without explanation”. If this is a good definition of magic realism, the Secret Agent is an example of MAGIC REALISM!!!
Why do I say this? It’s because it contains a shark that was found far from the coast (the film takes place in Recife, Brazil, BTW), with a hairy human leg inside it. The leg is extracted at the local university’s shark research lab and sent to the police morgue, where it stays most of the film, except that at some point, two policemen (none in uniform in this film, and none really acting like policemen) enter the morgue, take the leg out of its resting place, put another leg in its place, and take the original leg and wrap it up and dump it into a river (where it floats but does not sink, like a woman sank with a weight tied to her near the start of the film; we do not know who she was).
A digression: you, who have not been to Recife (which is where the Jews who first settled New Amsterdam sailed from in 1654), may assume that this northern Brazilian city is on the Amazon. Well, I looked that up, too. Remember this in case it becomes important later on: Recife is on the confluence of the Capibaribe and Beberibe Rivers, which flow not into the Amazon, but into the Atlantic Ocean. Which of these rivers was privileged to get the leg, I don’t know, but those of you who have been to Recife probably would recognize the (very nice, not at all noir) bridge from which the leg was tossed.
Back to the main feature. The leg, I should say, does play an additional role in that it appears in a large park, which seems to be the haunt of gay (sexual) and gay (party loving) people, and does some dastardly deeds, but these deeds seem to have nothing to do with the overall plot any more than the leg itself does.
So, you say, this film seems to have everything, right? I will tell you one thing it does not have. It does not have a “secret agent”. Scouts honor. No secret agent. Where did they get the title? Only the leg knows for sure, and it ain’t talkin’ (or walkin’).
I am not sure what the film is really about. SPOILER ALERT! A guy named Armando tells everyone his name is Marcelo. He is a handsome young guy whose wife apparently died of pneumonia, and who has a son age 7 or 8 living with his in-laws in Recife. He himself can’t live with his son, but they are out to get him. Who are the “they” who are out to get him? The they seems to be a wealthy businessman in Sao Paulo who hires a father and step-son kill team who go to Recife and find a guy who knows a guy who for 4,000 cruzeiros will locate and kill Marcelo. He locates him, but does not kill him (not that he doesn’t try), but instead kills three policemen in front of the government office where Marcelo has been trying to locate the death certificate of his mother (whom he never met and who had him when she was 14), and then kills the step-son (one of the two men who hired him) in a barber shop not far away.
That’s about where the film ends (2 hours and 40 minutes after it started), although a short sequence at the end shows you that Marcelo/Armando’s son, Fernando, has grown up and become a doctor working in a blood bank in Recife, and doesn’t even really remember his father who was apparently killed sometime between the end of the penultimate scene of the film, and the final scene where the same actor who played the father is now playing his son, the doctor.
And, by the way, the last scene, at the clinic, is not at all noir. Not at all.
Okay, so we don’t know who the secret agent was, we don’t know why Armando was being targeted, we don’t really know if the police were honest, we have no idea about the leg found in the shark or the one substituted for it, or what the leg did in the park that night, or who the woman was who was thrown over the bridge early in the film.
What have I left out? Maybe the important part of the plot played by the film Jaws (it came out originally in 1975), or the important role of Dona Sebastiana, who seems to be an old hippie who hides out people running from other people (a dentist with her young daughter, and a couple from Angola, to name a few) where Marcelo hides out. And I left out the Jewish tailor, scarred during the Holocaust, who only speaks German, and wants to be left alone.
I may have missed something, because I admit that I fell asleep for a few minutes during the film. The film is (except when the killer goes on a spree) very slow moving and I knew I could close my eyes for a while and not miss a thing, which turned out to be true.
77 awards. 165 nominations, including Best Picture tonight. How is that possible?
Maybe the Nats will win the World Series after all.













