On Thursday night, we watched Nuremberg and last night we watched One Battle After Another. As you probably know, One Battle won six Oscars last week, including Best Picture, Best Director, Best Casting, Best Adapted Screen Play, Best Film Editing, and Best Supporting Actor (Sean Penn). In fact, if you look on Wikipedia, you will see that the film has been nominated for 458 awards, and has received 227. According to IMDb on the other hand, Nuremberg has been nominated for 17 awards and won only 4.
The films are in fact polar opposites. By that, I mean that the crew of Nuremberg started with a very interesting and equally important story line, and wound up with a film barely worth watching (i.e., worth watching, but barely), while Battle took a rather silly plot and made of it an extraordinary film.
As you might know, the Best Casting Oscar which was given out last week was the first such Oscar award. I hadn’t missed it before, of course, but now that it is a thing, I hope it continues. After all, think how important casting is.
A digression. You may think you know this, but why are Oscars called Oscars? Well, according to Google AI, sometime in the 1930s, the Academy’s Library said that the statuettes looked just like her Uncle Oscar. Perhaps, Uncle Oscar was not amused.
The casting for Battle really was impeccable. Usually, in any film, you can at least point to someone and say that they didn’t really do a great job. Not in Battle, where I think everyone was at the top of their game. Having said that, if I had to pick out one actor to give a Best award to, I don’t think it would be Sean Penn (this is not to deny that Penn did a very fine job). I would have given it to one of the other “big three” in the film: Benicio del Toro (he could not have been better) playing the protector of a large group of “illegal immigrants”; Leonardo DiCaprio (who had to show every emotion possible to an actor) playing the former revolutionary now barely getting by; and the actress with the wonderful name Chase Infiniti, playing DiCaprio’s 16 year old daughter (she is really 25, but could certainly pass for 16; in fact, she did). Sean Penn played the demented law enforcement official out to erase his past, so he could join a white nationalist group which required its few members to have no stains in their history.
Another digression. Watching Penn, all I could think of was George C. Scott, both when he played Patton in Patton, and when he played General Turgidson (“Buck”) in Dr. Strangelove. You know what I mean? Perfect posture, rigid body control, need to demonstrate unstoppable power. So controlled that much of the drama came with facial contortions. A sneer, a pursed lip, a blinking eye, a tic here or there. That was Scott; that was Penn. After we watched the film, I Googled “Sean Penn George C. Scott” wondering if anyone else saw that. I came across a review written by John Griswold in The Common Reader who thought that Penn was “channeling George C. Scott”. What a great reviewer he is.
One Battle After Another runs for close to three hours, but you don’t know it. It moves so quickly, and is put together so deftly, that the time just floats on by. This is by and large the result of extraordinarily good directing and film editing; both worthy of the Oscars they received. But another facet of the film should be mentioned – the music. You know that sometimes you don’t remember the music of a film at all, and sometimes you think of it as backing up the action in a positive sense. But in Battle, my reaction was different. The original music (it is combined with some golden oldies, which are all perfect for where they are used) was like another cast member. It was essential in setting the mood(s) of the film. I can’t begin to identify the genre. Is plink-plink a genre? It is so original and so well done.
What a shame Nuremberg couldn’t compete. Nuremberg is based on an historical record; apparently the trial sequences are from the trial transcripts, and much of what takes place outside of the trial is from memoirs of those who were present, but it doesn’t seem that way. It seems like relatively poorly thought-out dialogue in too many places.
And (hearkening back to Battle), I have to say, first, that I don’t remember any of the music in Nuremberg and, second, that I thought the casting was pretty awful.
Russell Crowe played one of the two leads in the film. He was Hitler’s number 2, Hermann Goering. (A mini-digression: he gained over 50 pounds for the role, and then had to lose them. Can’t be healthy for a 60 year old). He did look pretty much like Goering. Did he talk like him? Who knows? But I don’t criticize his being cast for this part.
But why did they cast Rami Malek to play the army psychiatrist, Douglas Kelly, the psychiatrist brought to Nuremberg to help the prosecution analyze the Nazis on trial? Malek, an American actor of Egyptian descent, looks a lot like Fareed Zakaria, and not at all like a Douglas Kelly. And they cast, as U.S. Supreme Court Justice Robert Jackson, the chief American prosecutor at the trial, Michael Shannon. Maybe I should know Shannon, but I don’t. He played a very unpleasant and stiff Justice Jackson. He doesn’t look anything like Jackson did; he is probably 6 inches taller, at least, for one thing, and much thinner. He just wasn’t believable, to me, in the role.
And the relationship between Goering and Kelly? I don’t know what really happened, but their relationship became very buddy/buddy. And Kelly was sure that he had played Goering sufficiently to help Jackson and the prosecution, but then it turned out that maybe it was Goering who was the better psychiatrist, and that it was Kelly who was played, and that this led to the case against Goering at trial suffering, until a sputtering Jackson was saved by the British representative.
It reminded me of the recent hearing for HHS Secretary, when nominee Mullin was asked by a Democrat whether he would obey an illegal order from Trump, and Mullin said “he would not give me an illegal order”. The British lawyer asked Goering if Hitler could have asked him to do anything that would have turned him against Hitler. Goering, more honest than Mullin, said “no”.
I said the film was “barely” worth watching. By that, I mean that it does show you a part of the history of the Nuremberg trials (the use of psychiatry) that I am not (and probably you are not) familiar with. Learning about this was worth seeing the film. But there is no other reason to select it among the many, many choices we all have.













